1. Client Input

2. Research

3. Pencils

4. Workups

5. Refinements

6. Final Art

Stage One: Client Input

 

The client presents basic information that charts the course of the development of the logo. Normally, an agency or design firm performs this task. Information gathered may include:

 

• What is the nature of the client; it’s products, people, philosophy and point of view.

 

• What previous materials, icons or type, have been used to represent the client? What has worked, what hasn’t?

 

• What image does the client want to project to the world at large?

 

• What suggestions, if any, does the client have for a direction the logo might take?

 

It’s important to recognize that a logo can’t say everything there is to say about a company. It can, however, convey an attitude, attract attention, create an identity and ideally,  with a minimum of means, capture the essence of the entity it represents.

PHOTO: MARC GARRIDO I PUIG

Stage Two: Research

 

During the research phase, materials are gathered from primary sources that relate to the client input. These could include books, picture collections, and on-site photography. Often there is a review of existing logos related to the client’s business, to generate ideas and to steer clear of competitor’s solutions.  The art director overseeing the project may suggest concepts and directions and present rough drawings to guide the designer and illustrator.

Stage Three: Pencil Roughs

 

The pencil roughs are a brainstorming session in which any and all ideas are explored. Critical thinking about the appropriateness of the solution is set aside. The goal at this stage is to explore a flood of ideas. Sometimes a clearly inappropriate idea will suggest a direction that leads to a solution.

Stage Four: Comprehensive Workups

 

Once the pencil roughs have been reviewed by the art director and the client, promising solutions are identified and a more polished presentation of ideas is worked up. Often, further rounds of pencil explorations are required before comprehensives are made.

Stage Five: Refinements

 

On rare occasions, a solution that looks just right will come from the first round of comprehensives. More often, however, refinements are required. The project may even go back to the drawing board at this stage with further pencil roughs and workups. Logos are often the most pervasive visual representation of the client. It’s important to find a solution that really works. Patience is called for. At the same time, the designer and client need to be wary of “design by committee” situations that water down a good solution.

Stage Six: Final Art

 

When the sought-after logo has been found, a final, camera-ready version is created, complete with color specifications. At this time, all-inclusive usage rights to the logo are transferred to the client.

The Birth of a Logo